Berlo, Janet.(1990) "The Power of the Pencil: Inuit Women in the Graphic Arts" Inuit Art Quarterly, Winter.16-26.
Berlo, Janet Catherine. (1995) "Drawing and Printmaking at Holman" Inuit Art Quarterly , Fall.
Berlo, Janet Catherine.(1998) "Drawing (Upon) the Past: Negotiating Identities in Inuit Graphic Arts Production," in Unpacking Culture: Art and Commodity in Colonial and Post-Colonial Worlds, edited by R. Phillips and C. Steiner, Berkeley: University of California Press, pp. 176-191.
Berlo, Janet Catherine.(1998)"Arts of Memory and Spiritual Vision: Plains Indian Drawing Books," in Native Paths: American Indian Art from the Collection of Charles and Valerie Diker, edited by A. Wardwell, New York: the Metropolitan Museum of Art, pp. 10-24.
Berlo, Janet Catherine.(1995) "Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts," (with Ruth Phillips), Art Bulletin 77 (1):6-10.Blodgett, Jean.(1977) Karoo Ashevak. Winnipeg: The Winnipeg Art Gallery.
Blodgett, Jean. (1978) The Coming and Going of the Shaman: Eskimo Shamanism and Art Winnipeg: Winnipeg Art Gallery.
Blodgett, Jean.(1979)Eskimo Narrative. Winnipeg: Winnipeg Art Gallery.
Blodgett, Jean.(1983) Grasp Tight the Old Ways: Selections from the Kramer Family Collection of Inuit Art. 1 ed. Toronto: Art Gallery of Ontario.
Briggs, Jean. Inuit Women, the Makers of Men.
Butler, Sheila Inuit Art, An Art of Acculturation.The First Passionate Collector: the Ian Lindsay Collection of Inuit Art, Ed. Winnipeg Art Gallery. Winnipeg, 1990. 33 - 4.
Cook, Cynthia Waye. (1993) From the Centre: The Drawings of Luke Anguhadluq. Toronto: Art Gallery of Ontario.
Cornelius, Carol. (1999) Iroquois Corn: in a culture-based curriculum: A Framework for Respecting Teaching About Cultures. Albany: State University of New York Press.
d'Anglure, Bernard Saladin. Inuit Studies/Etudes Inuits.
Dewar, Patricia.(1994) "You Had to Be There" Inuit Art Quarterly Spring. 20-29.
Driscoll, Bernadette. (1980) The Inuit Amautik : I Like My Hood to be Full. Winnipeg: Winnipeg Art Gallery.
Driscoll, Bernadette.(1982)Inuit Myths, Legends and Songs. Winnipeg: Winnipeg Art Gallery.
Driscoll-Engelstad, Bernadette.(1994) "A Woman's Vision, A Woman's Voice: Inuit Textile Art from Arctic Canada." Inuit Art Quarterly.4 - 13.
Flaherty, Robert.(1922) Nanook of the North. Reveillon Freres. sound track 1939.
Fox, Matthew.(1996)"Mike Massie of Labrador." Inuit Art Quarterly, Spring.16-24.
Goetz, Helga.(1977) The Inuit Print-L'estampe Inuit Ottawa: Museum of Man, National Museums of Canada.
Goldfarb, Barbara. "Artists, Weavers, Movers and Shakers."Inuit Art Quarterly, 1989. pp.14-18.
Graburn, Nelson H.H. (1987) "Reflections of an Anthropologist: The Graphics behind the Graphics" Contemporary Inuit Drawings. Guelph: Macdonald Stewart Art Centre. 21-72.
Hessel, Ingo. Essays.Visions of Power.
Hessel, Ingo. 2000. Inuit Art. Vancouver. Douglas & McIntyre.
Hessel, Ingo, and Marie Routledge. (1990) "Regional Diversity in Contemporary Sculpture" Inuit Art Quarterly, Summer.
Hickman, Deborah. "Malaya Akulukjuk" Inuit Art Quarterly, Spring, 1996. pp. 53 - 56.
CBC Infoculture: McMichael Gallery takes an indepth look at Inuit carvingsMay 25, 1999
Jackson, Marion E. (1985) "Inuit Prints: Impressions of a Culture in Transition" LSA 9.1: 6-12.
Jackson, Marion, Judith Nasby, and William Noah. Qamanittuaq: Drawings by Baker Lake Artists. Guelph: Macdonald Stewart Art Centre, 1995.
Kitchen, Robin, and Alootook Ipellie.(1992) "Two Reviews of Between Two Worlds." Inuit Art Quarterly, Summer/Fall.46-48.
Kunnuk, Simeonie, and Janet McGrath.(1995)"Judas Ullulaq" Inuit Art Quarterly, Summer.14-22.
Kunuk, Zacharias. (1989) Qaggiq (Gathering Place). Video.
Kunuk, Zacharias. (1991)Nunaqpa (Going Inland). Video.
Leroux, Odette. Inuit Women Artists: Voices from Cape Dorset. Hull: Museum of Civilisation, 1995.
Martijn, Charles A.(1967)"A Retrospective Glance at Canadian Eskimo Carving." The Beaver, Autumn.4-19.
McGhee, Robert.(1996)Ancient People of the Arctic. Vancouver: UBC Press.
Millard, Peter.(1994) "Meditations on Womanhood: Ovilu Tunnillie" Inuit Art Quarterly. Winter. 20-25.
Mitchell, Marybelle.(1991)"Two Artists at Banff: Ashevak and Hay" Inuit Art Quarterly,Summer. 18-22.
Moore, Charles H. (1986) Keeveeok, Awake! Mamnguqsualuk and the Rebirth of Legend at Baker Lake. Edmonton: Ring House Gallery, University of Alberta.
Muehlen, Maria. (1989) "Baker Lake Wall-Hangings: Starting from Scraps" Inuit Art Quarterly, Spring.6-11.
Myers, Marybelle, ed. (1977)Joe Talirunili: a grace beyond the reach of art. Montreal: La Federation des Cooperatives du Nouveau-Quebec.
The Ottawa Citizen Online - Sunday 23 February 1997 Surfing the world from the frozen North
Paskievich, John, and Sharon Van Raalte. (1992) Sedna: the Making of a Myth. Zemma Pictures National Film Board of Canada.Raymont, Peter. Arctic Spirits. Investigative Productions.
Ryan, Terry. Eskimo Pencil Drawing.
Sutherland, Patricia.(1993)"The History of Inuit Culture."In the Shadow of the Sun: Perspectives on Contemporary Native Art. Ottawa: Canadian Museum of Civilisation. pp.313-332 of Mercury Series Paper 124. Ed. Canadian Ethnology Service.
Swinton, George, and William Taylor. (1967) "Prehistoric Dorset Art" The Beaver. Autumn. pp32-47.
Swinton, George. (1992) Sculpture of the Inuit. 2 ed. Toronto: McClelland and Stewart The Canadian Publishers.Swinton, George.(1992) Aesthetics - Inuit vs. Kablunait Sculpture of the Inuit. Toronto: McClelland & Stewart.129-134.
Vastokas, Joan M.(1971)"Continuities in Eskimo Graphic Style" artscanada 6:69-78.
Vastokos, Joan. (1967)"The Relation of Form and Iconography in Eskimo Masks."The Beaver,Autumn. 126-131.
Wight, Darlene.(1991) "Inuit Tradition and Beyond: New Attitudes toward art-making in the 1980s" Inuit Art Quarterly. 9-15.
AVM Sedna
Aboriginal Voices Magazine
Above and Beyond - Magazine of the New North.This site is presently under construction.
Macleans: "The New North". 1998
Northern News Service
Nunatsiaq News
Nunanet Worldwide Communications
CBC North
CBC North: audio
Kiviuk legend from books for children through the National Library of Canada
EXHIBITION CATALOGUES
JOURNALS, MAGAZINES
Inuit Studies
Inuit Art Quarterly
FILMS AND VIDEOGRAPHY
Evans, Michael Robert. "Sometimes in anger: the struggles of Inuit video" Fuse Magazine 22:4 (January 2000) : 13-17.
National Film Board: Inuit
Flaherty, Robert.(1922) Nanook of the North. Reveillon Freres. sound track 1939.
Between Two Worlds."
Kunuk, Zacharias. (1989) Qaggiq (Gathering Place). Video.
Kunuk, Zacharias. (1991) Nunaqpa (Going Inland). Video.
Paskievich, John, and Sharon Van Raalte. (1992) Sedna: the Making of a Myth. Zemma Pictures National Film Board of Canada.
Raymont, Peter. Arctic Spirits. Investigative Productions.
Qimmiq: Canada's Arctic Dog: National Film Board
Arnait Ikajurtigiit (1992) Ataguttaaluk Starvation colour 23:00 "An Igloolik elder relates the tale of Ataguttaaluk, a woman who survived a starvation and lived to become an honoured resident of Igloolik in the Women's Video Workshop Production."
Arnait Ikajurtigiit (1992) Qulliq colour 12:00"Members of Arnait Ikajurtigiit utilize the "new" technology of video to joyfully re-enact an older technology: the ritual of Qulliq or lighting of the seal oil lamp. They tell the story in song."
Women's Video Workshop (1994) Piujuk and Angutautuq colour 27:24
Cousineau, Marie-Helene (1996) Travelers colour 37:04"Travelers is an experimental "documentary" about my relationships with the women of Igloolik. I have been producing videos with in the last 6 years. It is a self-portrait of the distances I covered in my life in Igloolik, and a portrait of my women friends there. Distance is not only about airports. This video explores the meaning of travelling to all of us - in geography, in culture, in imagination, in personal growth and courage. Viewers will meet a group of women who, in their own remarkable ways, share with us their world.Travellers reflects the interactions and relations between some women who happen to be mostly Inuit and mostly from Igloolik. Travellers they are: in space, time, emotions and levels of reality. This video was shot between Igloolik and Ottawa, from Spring to Winter 1996."
Arnait Ikajurtigiit, Mary Kunuk (1996) Aqtuqsi colour 5:00
Banning, Kass. 1991. "Local Channels: Zach Kunuk Remodels T.V." Parallelogramme 17, 1:24-31.
Berger, Sally. (1996). "Time Travellers." Inuit Art Quarterly 11, 2 (Summer):4 - 11. Article is reprinted from felix: A Journal of Media Arts and Communications Vol.2. No. 1: 1995.
Fleming, Kathleen. (1996) "Igloolik Video: an Organic Response from a Culturally Sound Community." Inuit Art Quarterly 11, 1 (Spring): 26-34.
George, Jane (1997) "Inuit-made TV docudramas as popular as soaps in North," The Ottawa Citizen. February 26.
Hendrick, Stephen and Fleming, Kathleen. (1991) "Zacharias Kunuk: Video Maker and Inuit Historian." Inuit Art Quarterly 6, 3 (Summer):24-8.
(1982) "The Kaminuriak Caribou Herd Videotape Project. Inuktitut 50 (May):89 - 93. Innis, Harold (1984) The Fur Trade. Toronto: University of Toronto Press.
Ipeelie, Alootook. (1992) "The Colonization of the Arctic," Indigena: Contemporary native Perspectives, exhibition catalogue, G. McMaster and Lee-Ann Martin, eds. Hull: Canadian Museum of Civilization.
Kroker, Arthur. (1984) Technology and the Canadian Mind: Innis/McLuhan/Grant Montreal:New World Perspectives:129.
Nemiroff, Diana. (1992) "Zacharias Kunuk" Land, Spirit, Power.
Waugh, Tom. (1991) "Words of Command: Notes on Cultural and Political Inflections of Direct Cinema in Independent Documentary," CineAction! (Spring)
Phillips, Todd. (1996) "Videographer racing against time." Nunatsiaq News. March 15.
Roth, Lorna and Gail Guthrie Valaskakis. (1989) "Aboriginal Broadcasting in Canada: a case Study in Democratization," Communication for and Against Democracy. Montreal: Black Rose Books. Article is reprinted from felix: A Journal of Media Arts and Communications Vol.2. No. 1: 1995.
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